It looks basically normal
Colours look like real life, blacks look black. This is standard, flat or Cine footage: phones, drones, GoPro, and any camera not set to log.
You need the Flat / Cine pack
Download Flat pack →Free LUTs · Helper
Every look ships in every pack, so this is the only choice to get right: the version that matches how your camera records. Pick a route below.
Open any clip in your editor before touching it. Which one is it?
It looks basically normal
Colours look like real life, blacks look black. This is standard, flat or Cine footage: phones, drones, GoPro, and any camera not set to log.
You need the Flat / Cine pack
Download Flat pack →It looks washed out and gray
Low contrast, milky blacks, drained colour. That is log, and it is deliberate: the camera is keeping detail for grading.
Find your exact log format below
Pick my camera ↓Not sure? If you have to ask, it is almost certainly not log. Log footage is unmistakable: it looks broken until you grade it.
Type a model (“a7 iv”, “gopro”, “gh6”, “iphone”) or browse the list.
Sony
a6300, a6400, a6500, a6600, a6700, a7 III, a7S II, a7S III, a7 IV, a7C, a7C II, a1, FX3, FX30, ZV-E1, ZV-E10
Canon
R5, R5 II, R6, R6 II, R7, R8, R50, C70, C80, 90D
Panasonic / Lumix
GH5, GH5 II, GH6, GH7, S5, S5 II, S5 IIX, S1H, G9 II, BGH1
GoPro
HERO 8, 9, 10, 11, 12, 13, MAX
DJI (drones & Osmo)
Mavic 3 / 4, Air 3 / 3S, Mini 4 Pro, Avata 2, Osmo Pocket 3, Osmo Action 4 / 5
iPhone / Android
iPhone 15 Pro, 16 Pro, 17 Pro, Samsung Galaxy, Pixel
Fujifilm
X-T4, X-T5, X-H2, X-H2S, X-S20, X100VI
Nikon
Z6 II, Z6 III, Z7 II, Z8, Z9, Zf
Blackmagic
Pocket 4K, 6K, 6K Pro, Pyxis, Studio cameras
Anything else
older cameras, webcams, screen recordings, stock footage, an already-exported edit
No match. Use the eyeball test above: washed out and gray means the generic log pack, anything normal means the Flat pack.
Sony, Canon, Panasonic and DJI publish the math for S-Log2, S-Log3, C-Log3, V-Log and D-Log, so those packs decode your footage exactly as the manufacturer defines it. Other log formats (Apple Log, F-Log, N-Log, GP-Log) don’t have a published curve, so they route to the generic log pack: close, and better than the wrong door, but not exact. D-Log M is the interesting case: DJI publishes nothing for it, so we tested real D-Log M footage through every door, and the D-Log pack rendered it correctly while the others came out flat. So Osmo Pocket and Action shooters should take the D-Log pack. If you shoot one of those and something looks off, apply a Color Space Transform to Rec.709 first, then use the Flat pack.
And the reassuring part: you cannot break anything by guessing. The wrong pack just looks wrong on screen. Swap the file, and it’s fixed.