Free LUTs · night · cold
Horror Green
A corridor drowned in sick emerald, with the practical lights still glowing white. Your exposure untouched.
Horror Green was built for night footage and tuned on a real one-tube concrete corridor. It does not tint your image, it builds a world: the emerald is poured into the darkness itself, every colour in the frame is pulled toward either that green or its opposite, and the result is rolled off into pastel so it reads suave rather than radioactive. The practical lights stay white and glowing, which is what stops it looking like a filter.
The rule underneath it all: it never changes your exposure. No lift, no crush, because on night footage every stop of fake lift is a stop of sensor noise dragged into view. Reds stay red and stay quiet: blood, signs and tail lights keep their colour instead of being dragged into magenta, but they are held back rather than boosted, so they accent the frame instead of fighting it. Shoot dark, expose honestly, and let the colour do the menace.
Get Horror Green, and everything else
Pick the version that matches how you shoot and get every look in one zip, each file already correct for your footage, plus the license and a one-page install guide for Resolve, Premiere, Final Cut and CapCut.
Also in the pack
- SoraThe house signature: turquoise-leaning skies that keep their gradient, warm red mids under cold whites, skin that stays skin.
- Retro Surf70s-postcard: a cool turquoise world with warmth laid only on people and whites, pink clouds over a cyan sky.
- Horror BlueThe same dread in steel: a corridor flooded with deep blue, the lamp still burning white.
- VinlandThe elf-world grade: gold in the highlights, a warm floor so nothing is ever black, dirt trails a proper brown, greens vivid and luminous, skies a light pastel blue.
- PanelkaThe cold one: blacks that actually reach black, a grey-blue floor, deep skies, and colour held on a leash so a shop sign cannot shout over the concrete.
- RoninBlack and white the way film did it: a red-weighted channel mix, so skies go dark, foliage drops away and skin stays bright and smooth. Not a saturation slider at zero.
- Calm BlueLuminous blue-green daylight: the colour lives in the shade and the whites stay pure, which is what makes it read bright rather than filtered.