70s-postcard: a cool turquoise world with warmth laid only on people and whites, pink clouds over a cyan sky.
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logRetro Surf
Drag the handle. Left: the camera's log file. Right: Retro Surf, nothing else applied.
How Retro Surf was built
Retro Surf is the grade of "I Filmed My Vietnam Vlog Like A Surf Movie", rebuilt from scratch as a LUT after the video shipped and matched to its look frame by frame. The trick that makes it work is order. The cyans and blues get grabbed first, while the log sky is still bluish, and only then does the warm film cast go on top. That way the warmth lands on the people, the shirts and the clouds, but never touches what has already turned turquoise. Pink clouds over a cyan sky: that is the whole postcard.
One honest note: the film texture in the reference stills is grain, and grain is spatial, so no LUT can carry it. Add a grain node in your editor on top and the look completes. Resolve's Film Grain OFX on a subtle 35mm preset does it.
Pick the version that matches how you shoot and get every look in one zip, each file already correct for your footage, plus the license and a one-page install guide for Resolve, Premiere, Final Cut and CapCut.
While it downloads
The look is the last 5% of a video people finish.
A LUT makes footage look good. Whether anyone watches to the end comes from what you shoot and how you tell it. Two free places to start, no signup:
The elf-world grade: gold in the highlights, a warm floor so nothing is ever black, dirt trails a proper brown, greens vivid and luminous, skies a light pastel blue.
The cold one: blacks that actually reach black, a grey-blue floor, deep skies, and colour held on a leash so a shop sign cannot shout over the concrete.
Black and white the way film did it: a red-weighted channel mix, so skies go dark, foliage drops away and skin stays bright and smooth. Not a saturation slider at zero.