The elf-world grade: gold in the highlights, a warm floor so nothing is ever black, dirt trails a proper brown, greens vivid and luminous, skies a light pastel blue.
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logVinland
Drag the handle. Left: the camera's log file. Right: Vinland, nothing else applied.
Vinland started from a reference frame with that Vinland-Saga glow: gold poured into the whites and the wheat, greens gone soft and warm. Measured surface by surface (what the shirt did, what the grass did, what the bark did) and rebuilt from scratch with our own primitives, then tuned on a forest trail and a riverside in Sapporo, both S-Log2. The ingredient that made it click was a warm floor: nothing in the frame ever reaches black, so every shadow looks lit from inside, and the contrast lives in the mids on top of that floor instead of down at zero.
Two things it does on purpose. Neutral mid-dark ground (dirt, gravel, asphalt) goes a proper earth brown, the anime trail; and bright neutral surfaces (a white shirt, a white wall) go cream-gold, because the light hits everything the same way. Skies and water are guarded and stay a light pastel blue. For the full dream, add a soft Glow or Halation node after the LUT in your editor: a LUT can color light, it cannot bloom it.
Get Vinland, and everything else
Pick the version that matches how you shoot and get every look in one zip, each file already correct for your footage, plus the license and a one-page install guide for Resolve, Premiere, Final Cut and CapCut.
Also in the pack
SoraThe house signature: turquoise-leaning skies that keep their gradient, warm red mids under cold whites, skin that stays skin.
Retro Surf70s-postcard: a cool turquoise world with warmth laid only on people and whites, pink clouds over a cyan sky.
Horror GreenA corridor drowned in sick emerald, with the practical lights still glowing white. Your exposure untouched.
Horror BlueThe same dread in steel: a corridor flooded with deep blue, the lamp still burning white.
PanelkaThe cold one: blacks that actually reach black, a grey-blue floor, deep skies, and colour held on a leash so a shop sign cannot shout over the concrete.
RoninBlack and white the way film did it: a red-weighted channel mix, so skies go dark, foliage drops away and skin stays bright and smooth. Not a saturation slider at zero.
Calm BlueLuminous blue-green daylight: the colour lives in the shade and the whites stay pure, which is what makes it read bright rather than filtered.